July 11, 2014 by Abode Camp in Movies

Dawn of the Planet of the Apes

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Dawn of the Planet of the Apes (2014)

Release Date: July 11, 2014
Director: Matt Reeves
Cast: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Kirk Acevedo, Nick Thurston, Terry Notary, Karin Konoval, Judy Greer, Jon Eyez, Enrique Murciano, Doc Shaw, Lee Ross, Keir O’Donnell, Kevin Rankin, Jocko Sims, Al Vicente, Matt James, Richard King, Scott Alexander Lang, Deneen Tyler, Mustafa Harris, Lombardo Boyar, Mike Seal, J.D. Evermore, Chase Boltin, Michael Papajohn, Tommy Rosales Jr., Carol Sutton, Christopher Berry.

Plot Summary

Dawn of the Planet of the Apes is the second film in the rebooted Planet of the Apes series, following the success of Rise of the Planet of the Apes (2011). Directed by Matt Reeves, this installment continues the story of Caesar (Andy Serkis), the genetically enhanced ape, and his growing community of intelligent apes living in a post-apocalyptic world.

The film is set ten years after the events of Rise, during which a virus, the ALZ-113 (a genetically engineered disease), has wiped out much of humanity, leaving only small remnants of human survivors scattered across the Earth. Caesar has led a group of apes to an isolated forest, far from the destruction of the human world, where they have built a society. The apes have developed complex social structures, culture, and language under Caesar’s leadership, and they live in relative peace, away from the remnants of human civilization.

However, this fragile peace is threatened when a group of human survivors, led by Malcolm (Jason Clarke), come into the apes’ territory, seeking to repair a hydroelectric dam to restore power to their dwindling community in San Francisco. Malcolm, along with his wife Ellie (Keri Russell) and son Alexander (Kodi Smit-McPhee), is hopeful that the apes can help them, but Caesar is initially wary of the humans, remembering the atrocities they committed in the previous film. The tension between both species escalates as humans and apes attempt to coexist, but the arrival of Dreyfus (Gary Oldman), a human leader who believes the apes are a threat to humanity’s survival, further complicates the fragile peace.

The conflict is intensified by Koba (Toby Kebbell), an ape who harbors deep hatred for humans due to his traumatic experiences at the hands of humans in the past. Koba’s animosity toward humanity leads him to manipulate situations to his advantage, eventually sparking violence that threatens to escalate into a full-blown war between humans and apes.

Themes and Visual Style

One of the most prominent themes of Dawn of the Planet of the Apes is the exploration of leadership, loyalty, and trust. Caesar, who is presented as a benevolent leader, struggles to balance the needs of his people with the looming threat posed by humans. The film delves into his internal conflict about the best way to protect the apes’ future, while also considering the possibility of peace with humans. This makes Caesar’s journey one of great emotional complexity, as he tries to avoid a destructive war while also ensuring the survival of his species.

Koba, on the other hand, represents the darker side of ape society, showcasing how personal trauma and deep-seated resentment can lead to destructive decisions. His character highlights the theme of revenge and the destructive consequences of unchecked anger. The contrast between Caesar and Koba’s leadership philosophies forms the emotional core of the film.

The film also focuses on the fragile nature of alliances and the consequences of betrayal. Both the apes and humans are depicted as equally capable of both compassion and cruelty, depending on the choices they make. This theme is mirrored in the film’s visual style, which contrasts the lush, natural beauty of the apes’ world with the decaying, broken remnants of human civilization.

Visually, Dawn of the Planet of the Apes uses state-of-the-art motion capture technology, with Andy Serkis delivering a powerful performance as Caesar. The effects used to bring the apes to life are groundbreaking, with Serkis’s facial expressions and movements captured with such precision that they convey a deep sense of personality and emotion, allowing the apes to be as expressive and human-like as the human characters themselves. The motion capture technology used to bring the apes to life is one of the film’s standout features, blending seamlessly into the live-action environment.

The film’s cinematography also stands out, with sweeping shots of a post-apocalyptic San Francisco and the forests where the apes live. The imagery often evokes a sense of decay and rebirth, highlighting the contrast between human civilization’s fall and the apes’ rise.

Characters and Performances

  • Caesar (Andy Serkis): Andy Serkis delivers an incredible performance, blending his motion-capture work with powerful, nuanced vocal and facial expressions. Caesar is a deeply empathetic character, torn between his desire for peace and the necessity of protecting his people.
  • Malcolm (Jason Clarke): Clarke’s portrayal of the human protagonist, Malcolm, is one of reason and diplomacy. He is pragmatic and attempts to build trust with the apes, balancing his own humanity with the survival instincts of his people.
  • Koba (Toby Kebbell): Koba is a memorable antagonist, a character driven by pain and anger. Kebbell’s motion capture work is fantastic, portraying Koba’s twisted personality with rage and bitterness, making him a formidable foe to Caesar.
  • Dreyfus (Gary Oldman): Oldman plays a hardened human survivor who is determined to protect what’s left of humanity, but his fear and mistrust of the apes lead him to take drastic, violent actions. Oldman gives a strong, commanding performance as a leader on the brink of desperation.
  • Ellie (Keri Russell): Russell’s role as a compassionate doctor adds an emotional layer to the human side of the story, providing a contrast to the more aggressive human leaders.
  • Alexander (Kodi Smit-McPhee): As Malcolm’s son, Smit-McPhee brings an innocence and hopefulness to the film, representing the possibility of a future where apes and humans can coexist.

Conclusion

Dawn of the Planet of the Apes is a powerful exploration of leadership, revenge, and survival. It builds upon the foundation laid in Rise of the Planet of the Apes while raising the stakes and expanding the world of the apes and humans. The emotional depth of Caesar’s journey, the stunning visual effects, and the complex characters create a film that transcends its genre. It’s not just a story about apes and humans in conflict, but a reflection on what it means to be human — the capacity for both good and evil, for compassion and destruction.

The film’s ending sets up the conflict for the next installment in the series, War for the Planet of the Apes (2017), but it also serves as a poignant commentary on the destructive nature of fear and prejudice. In many ways, Dawn of the Planet of the Apes is a meditation on the cyclical nature of history — how humanity’s mistakes are often repeated, but also how the future can be shaped by those who dare to seek peace.

With its remarkable performances, stunning visuals, and thought-provoking themes, Dawn of the Planet of the Apes stands as one of the finest examples of modern blockbuster filmmaking. It’s a film that explores deep moral questions while delivering thrilling action and emotional resonance, making it a standout in the Planet of the Apes franchise and a high point of contemporary science fiction cinema.

 

 

 

 

 

 

 

 






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